Befriending the “monster”, or overcoming one’s fear of the “other”, is a common theme in many folktales where the relationship between the two main characters, one human and the other a wild animal, shifts from one of hunter and prey, to one of parent and child, ancestor and descendant, brother and sister, or lovers. It is a voice from the past that shows up again and again in stories from around the world suggesting that planetary ecological restoration may depend not only on conservation efforts but is, at its heart, a relational job calling for us to re-story ourselves into belonging with the wild.
Read MoreThe She-Wolf Inside Us
There is an ancient folktale from the desert Southwest about “a woman who was a wolf who was a woman” also known as “Loba Girl” or Wolf Woman who climbs the canyons, and sifts through the arroyos or dry riverbeds, gathering wolf bones over which she sings, until they spring back to life and run off laughing with the voice of a woman. Inspired by Dr Clarissa Pinkola Estés’ retelling of this story in her book Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype, this folktale invites us to call back to life those buried and discarded parts of ourselves, so that we can find our true voice again.
Read MoreA Magical Mossy Coat: Finding Sovereignty in a World that Values Ownership over Love
Mossy Coat is an Old English fairytale about the ingenuity and creativity of a wild forager and weaver who sews her daughter a coat of wild mosses so she can disguise herself, escape poverty, avoid an unwanted marriage and determine her own destiny. It is how even a small diminutive plant like moss can be protective, nurturing, empowering and magical, and how a coat of moss gives the heroine a sense of wildness, freedom, and sovereignty over her own life. An enduring folktale that lives on like wild moss, wielding its quiet power. . .
Read MorePower Beneath the Surface: The Psychic Waters of the Unconscious
The ocean is a prominent and enigmatic feature in many folktales around the world including: the Irish folktale of the Selkie, the Inuit folktale of Sedna, and the Vietnamese folktale of Dragon and the Crane. According to Carl Jung, the radical and inspirational psychoanalyst, we can explore the meaning of the ocean as a symbol of the unconscious and through this process we can find ways in which the characters’ struggles and transformations resonate with our own illuminating the path to our own self-discovery, forging a deeper connection to our own true authentic identity and our full potential.
Read MoreBetween the Dragon and the Crane: Hatching the Vital Bothness into Being
There is a heartwarming folktale indigenous to Vietnam involving an unexpected romantic coupling between a dragon and a crane that is one of many endearing folktales that make up Vietnam’s rich heritage of maritime folklore. Since the beginning of time storied landscapes have included in-between, magical places like coastlines or intertidal areas between land and sea, and these are often sites of transformation, thresholds between worlds, and are infused with magic. The enduring wisdom of this story is about finding the hidden treasure that is birthed from unexpected connections, and when we choose to come together despite our differences.
Read MoreYuletide: The Vital and Soulful Wisdom of Bothness
These twelve days between the Winter Solstice and the beginning of the next solar year are referred to as Yule or Yuletide in ancient Medieval Nordic folklore. What gifts does this sacred time belonging neither to the old year nor the new year offer us? How can we harness the transformative power of this bothness? Ancient folktales reveal that the past is not set-in-stone, but is continuously being reinvented, reimagined, and reweaved back into the upcycled tapestry of the present tense. This sacred time gives rise to the beautiful question: how can we cultivate new ways of relating to the past so we can move with wisdom into the future?
Read MoreMother Goose: A Folktale of Feathers and Snow
The first flakes of snow usher in the beginning of winter, and according to old Germanic folklore, they are the feathers from the featherbeds of Old Mother Goose. According to the Brothers Grimm, she may have been a goose herself, or shapeshifting between an elderly woman and a snow goose, because in some versions of the story she has a one large foot, like that of a goose, perhaps a splayed foot from pressing the treadle of her spinning wheel. Due to her shapeshifting nature between a white goose and an elderly woman, she represents both maiden and crone, as well as the transition between life and death, lightness and darkness, representing this transitional time of the year: the Winter Solstice.
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