In the beloved Egyptian myth of Isis, Isis searches for the scattered parts of her murdered husband’s body, resembles him, and breathes life back into him, and makes love to him, which then gives birth to Horus who becomes the next Pharaoh of Egypt. Isis shows us that taking the aerial point of view, or birds-eye-view, gives us the power to hold the tension between what is dissolving and what is emerging, to see the whole instead of only the parts, and to recognize our own agency in the potential for transformation.
Read MoreReassembling Rites: Piecing Together the Ancestral Bones
There is an archetype that weaves its way through many ancient myths and folktales that centers around the sacred work of recovering and reassembling what has been disassembled. This ritual of singing over the ancestral bones, honoring, mourning over, and reclaiming what has been buried or lost, is a devotional act. In these stories, grieving takes center stage and plays a transformative role allowing the folk-heroine or mythological heroine to reach a place of wholeness, aliveness, and joy again.
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Polar Bear Son, an Inuit folktale about an elderly childless woman who finds a lost polar bear cub and raises him as her own. When he grows up and the elderly woman finds herself unable to look after herself, he brings her food.
Wild Kin: Folktales & Fellowship with the Wild
Befriending the “monster”, or overcoming one’s fear of the “other”, is a common theme in many folktales where the relationship between the two main characters, one human and the other a wild animal, shifts from one of hunter and prey, to one of parent and child, ancestor and descendant, brother and sister, or lovers. It is a voice from the past that shows up again and again in stories from around the world suggesting that planetary ecological restoration may depend not only on conservation efforts but is, at its heart, a relational job calling for us to re-story ourselves into belonging with the wild.
Read MoreTern Teachings: Guests that Nest & Give
It is not only humans that tell stories. . . In the voice of bright white feathers and a charming black cap, a story darts its way through gusts of wind off the coast of Massachusetts hatching out of makeshift nests of pebbles and dry grasses. during the months of April and May. It is a seasonal story with themes of reciprocity and interdependence between the arctic tern, a migrating bird, and local coastal cloudberry flowers suggesting that even temporary guest can still contribute to a landscape’s thriving.
Read MoreBetween the Dragon and the Crane: Hatching the Vital Bothness into Being
There is a heartwarming folktale indigenous to Vietnam involving an unexpected romantic coupling between a dragon and a crane that is one of many endearing folktales that make up Vietnam’s rich heritage of maritime folklore. Since the beginning of time storied landscapes have included in-between, magical places like coastlines or intertidal areas between land and sea, and these are often sites of transformation, thresholds between worlds, and are infused with magic. The enduring wisdom of this story is about finding the hidden treasure that is birthed from unexpected connections, and when we choose to come together despite our differences.
Read MoreYuletide: The Vital and Soulful Wisdom of Bothness
These twelve days between the Winter Solstice and the beginning of the next solar year are referred to as Yule or Yuletide in ancient Medieval Nordic folklore. What gifts does this sacred time belonging neither to the old year nor the new year offer us? How can we harness the transformative power of this bothness? Ancient folktales reveal that the past is not set-in-stone, but is continuously being reinvented, reimagined, and reweaved back into the upcycled tapestry of the present tense. This sacred time gives rise to the beautiful question: how can we cultivate new ways of relating to the past so we can move with wisdom into the future?
Read MoreMother Goose: A Folktale of Feathers and Snow
The first flakes of snow usher in the beginning of winter, and according to old Germanic folklore, they are the feathers from the featherbeds of Old Mother Goose. According to the Brothers Grimm, she may have been a goose herself, or shapeshifting between an elderly woman and a snow goose, because in some versions of the story she has a one large foot, like that of a goose, perhaps a splayed foot from pressing the treadle of her spinning wheel. Due to her shapeshifting nature between a white goose and an elderly woman, she represents both maiden and crone, as well as the transition between life and death, lightness and darkness, representing this transitional time of the year: the Winter Solstice.
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