Autumn’s late blooming flowers remind us, year after year, we are meant to be flowering right when we do. The late bloomer comes in many guises, and appears in the folklore of the Baba Yaga, creatrix and witch, and the Selkie, a shapeshifting seal woman. In a world that often glorifies early achievements and rapid success, these two ancient folktales of late bloomers are still remarkably relevant and timeless in their wisdom. They teach us that even in the midst of challenges that slow us down, there is always the capacity for growth, transformation, and the emergence of something truly extraordinary.
Read MoreMakers of Dreams: Gifting us Dreams on Wings
The Makers of Dreams is an ancient folktale from the Isle of Skye revealing the intimate relationship between dreams, wild birds and the seasonal changes in the landscape that happen at this time of year in the northern hemisphere. As the air cools, creatures of the earth settle into hibernation, and the nights become longer beckoning us to also sleep longer, and dream. Many species of birds begin migrating, and the journey between this world and the dream world that the story alludes to mimics the way the birds in the “real” outer world are literally journeying between landscapes and worlds as well.
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The Birch Goddess: Baba Yaga & The Wisdom of Fall
Inspired by the Slavic Folktale Katrina and the Bright Falcon, featuring Baba Yaga, the enduring powerful female wilderness creatrix from Russian folklore, beautifully described and redefined by Natalia Clarke in her book Baba Yaga: Slavic Earth Goddess which she writes from her own Siberian heritage. The wisdom this folktale offers is how a deep relationship with a wild Falcon and an unconventional wild elder woman who lives in the deep forest, can be a pathway to birth our True Authentic Selves.
Read MoreUshering in the Autumn: Synchronicities that Fall from the Trees
The ripening of local cranberries to crimson, the late-blooming rich yellow goldenrod flowers, and the variety of brown hues of dying leaves ushers in the beginning of autumn. I see a remarkable synchronicity in the colors of this landscape where I live in Massachusetts and the reds and golds that are considered colors of luck, happiness, and joy during a festival of my own heritage: the Mid-Autumn festival which is celebrated in Vietnam (known as Tết Trung Thu) on this full moon in September. Streets are lined with red and gold lanterns, and the rich brown color of traditional mooncakes eaten on this special day just adds to the magical similarity!
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Caribou Sky, inspired by a folktale about the caribou and their connection to the seasonal cycle of the sun which draws loosely from several ancient stories from Norway, Sweden, Finland and Russia, including many elements from indigenous Sami folklore. Here photographed in the process of being carved.
Summer 2023 Newsletter
Sharing several new handmade prints in my shop! Each print contains a precious folktale from the past, a mythos, reminding us of our ancient and intimate kinship with the wild, expressed with a multitude of endearing voices of the earth. Whether it is the sound of clanking antlers, or the mischievous pecking of a black crow, or the whisper of a tiger’s whiskers these heartwarming stories lyrically weave us into the circle of life and remind us of our extraordinary human imagination.
Read MoreThe Owl Lover: When the Wild Courts Us
An endearing love story about a rare white Great Horned Owl who falls in love with a human woman, retold by Joseph Bruchac in his book Wabi: A Hero’s Journey. This Abenaki folktale suggests that nature is courting us, that there is a a romance taking place. . .a precious mythos from ancient times about the intimate and tender relationship between humans and the wild.
Read MoreThe Old Woman Who Weaves the World
Like the concept of Yin and Yang, the folkloric archetype of opposing forces that create the cosmos, weaves its way into so many different landscapes and cultural traditions secretly behind a veil of different stories and visual motifs . . yet here it is hidden in plain sight, in the White Mountain Apache folktale of The Old Woman Who Weaves Together the World and the Black Crow who pecks at the loose ends and unravels it again. What wisdom might this folktale offer us in rethinking our relationship with the wild?
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