What weaves its way like an underground warren beneath the borders of conquest and control, dancing through differences and softening divides, preserving our collective wild sisterhood with the earth across time, cultures and landscapes? The ancient folkloric association between hares, woman, and moon traveled from Asia, through Persia and the Nile, across the forests of Europe and to the Americas, not by conquest and control but by word of mouth through storytellers, pilgrims, elders, weavers, healers and wanderers. The mystery and magic of this trio’s unyielding presence across landscapes and cultures is nothing less than the eternally regenerative aspect of the Earth Herself whispering through worlds and weaving Herself beyond borders untamed and free.

Who sits unseen watching over us in the shadowy branches of the forest of life? Perhaps nothing stirs the human soul more deeply than to be caught in the spell of a screech owl’s timeless trill. . .In Japan, the screech owl is known as a yōkai, a class of magical creature with paranormal powers known as iso sange kanji (“the deity who bestows success in hunting”). In Puerto Rico, the screech owl is known as múcaro (“eagle of the night”). This feathered and fabled creature shows up time and time again in folktales when the enchanted and the earthly are interwoven in an ineffable cosmic dance, begging the question: What is sacred? What needs to be remembered?

The Norwegian folktale “East of the Sun West of the Moon” and the Japanese (indigenous Ainu) folktale entitled “Crescent Moon Bear” are folktales featuring fearless young women who dare to engage in greater intimacy with a bear whether it is marrying a bear, or having the courage to pluck the whisker of a bear. Both involve traversing a formidable boreal forest landscape to save their husbands from a “spell”. These folktales are so strikingly similar in theme and shared values, giving voice to their parallel nature deepens our sense of interconnected history, and rekindles a feeling of belonging to a shared storied boreal landscape, weaving together people, bears, ancestry, stories and hearts. . .

There is an ancient folktale from the desert Southwest about “a woman who was a wolf who was a woman” also known as “Loba Girl” or Wolf Woman who climbs the canyons, and sifts through the arroyos or dry riverbeds, gathering wolf bones over which she sings, until they spring back to life and run off laughing with the voice of a woman. Inspired by Dr Clarissa Pinkola Estés’ retelling of this story in her book Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype, this folktale invites us to call back to life those buried and discarded parts of ourselves, so that we can find our true voice again.