The Celtic Morrigan, Slavic Morana, and Hindu Dhumavati are entwined through the dark wings of the raven. Their aerial point of view gifts them with wisdom to see the whole. Witch and winged-one in sacred kinship, they remind us that even in collapse, something wild and wise takes root. Their black feathers stitching together life and death, winged and earthbound, mortal and divine, seen and unseen. . .

What weaves its way like an underground warren beneath the borders of conquest and control, preserving our collective wild sisterhood with the earth across time, cultures and landscapes? The ancient link between hares, the divine feminine, and the moon journeyed from Asia to the Americas—carried by storytellers, pilgrims, healers, and wanderers. What might we reclaim if we traced their sacred steps?

There is an ancient folktale from the desert Southwest about “a woman who was a wolf who was a woman” also known as “Loba Girl” or Wolf Woman who climbs the canyons, and sifts through the arroyos or dry riverbeds, gathering wolf bones over which she sings, until they spring back to life and run off laughing with the voice of a woman. Inspired by Dr Clarissa Pinkola Estés’ retelling of this story in her book Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype, this folktale invites us to call back to life those buried and discarded parts of ourselves, so that we can find our true voice again.

A reflection on the folk wisdom offered in The Magical Adventures of Pretty Pearl by Virginia Hamilton filled with beloved characters from African American folklore. How folklore and folk tradition bring a small community fugitives into deep relationship with the wild, and how enchantment and magic serve as a source of psychological resilience and practical survival in the face of unimaginable hardship.