Mossy Coat is an Old English fairytale about the ingenuity and creativity of a wild forager and weaver who sews her daughter a coat of wild mosses so she can disguise herself, escape poverty, avoid an unwanted marriage and determine her own destiny. It is how even a small diminutive plant like moss can be protective, nurturing, empowering and magical, and how a coat of moss gives the heroine a sense of wildness, freedom, and sovereignty over her own life. An enduring folktale that lives on like wild moss, wielding its quiet power. . .
Read MoreBetween the Dragon and the Crane: Hatching the Vital Bothness into Being
There is a heartwarming folktale indigenous to Vietnam involving an unexpected romantic coupling between a dragon and a crane that is one of many endearing folktales that make up Vietnam’s rich heritage of maritime folklore. Since the beginning of time storied landscapes have included in-between, magical places like coastlines or intertidal areas between land and sea, and these are often sites of transformation, thresholds between worlds, and are infused with magic. The enduring wisdom of this story is about finding the hidden treasure that is birthed from unexpected connections, and when we choose to come together despite our differences.
Read MoreThe Mitten: the undercurrent of synchronicities that connects us all together
There is a folktale about the importance of generosity when faced with a scarcity of resources that can be found in both Ukrainian folklore and in Abenaki folklore. In the Ukrainian version, woodland animals try to fit into a mitten to stay warm even though it is too small, and in the Abenaki version they are all coerced into a bag to feed a hunter and his grandmother even though taking all of them exceeds the hunter’s needs for the winter. Myths and stories that reveal shared values and themes despite having originated from two distinct cultures and landscapes reveals a collective consciousness: an undercurrent of synchronicities that connects us all together.
Read MoreMother Goose: A Folktale of Feathers and Snow
The first flakes of snow usher in the beginning of winter, and according to old Germanic folklore, they are the feathers from the featherbeds of Old Mother Goose. According to the Brothers Grimm, she may have been a goose herself, or shapeshifting between an elderly woman and a snow goose, because in some versions of the story she has a one large foot, like that of a goose, perhaps a splayed foot from pressing the treadle of her spinning wheel. Due to her shapeshifting nature between a white goose and an elderly woman, she represents both maiden and crone, as well as the transition between life and death, lightness and darkness, representing this transitional time of the year: the Winter Solstice.
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Although I did not take this photo, this is what the landscape looks like where I live around this time of year. It is such a familiar scene, the colors, the trees, the gray sky. . .it reminds me of an opening in the forest where there are birches and reeds at the Hapgood Wright Forest Trail in Concord where I sometimes walk. Mikhail Luchin has captured it brilliantly here with his photo (available on Pexels) so much better than I ever could.
Waking up to the Dark: The Rich Gifts of Winter
Though the darker, colder season of winter is often associated with death and stagnation, folktales that feature winter and death reveal that darkness can offer a potential for spiritual enrichment and be the dark womb within which the seeds of new life incubate and begin to germinate. The darkness of winter and death is rich with meaning, and ripe with transformative potential if we choose to harness it, fearlessly welcome it, and recognize how it connects us to the great mystery of this wild and precious planet.
Read MoreOwl and Raven: A Folktale of Beauty and Reciprocity
There is an ancient Inuit folktale featuring two friends: a snowy owl and a raven and how they came to have two strikingly different colors and decorative patterns. The story reveals how beauty is not attributable to an individual, but arises as a result of reciprocity, and mutual respect. In contrast to the ways we understand beauty in the dominant culture of today, this folktale offers us deep wisdom about how how beauty ought to be a celebration of those who create the objects of adornment, as well as the one adorned. . .and how beauty arises as a result of their collaborative effort.
Read MoreFor the Late Bloomers: Earth Blooms with Us
Autumn’s late blooming flowers remind us, year after year, we are meant to be flowering right when we do. The late bloomer comes in many guises, and appears in the folklore of the Baba Yaga, creatrix and witch, and the Selkie, a shapeshifting seal woman. In a world that often glorifies early achievements and rapid success, these two ancient folktales of late bloomers are still remarkably relevant and timeless in their wisdom. They teach us that even in the midst of challenges that slow us down, there is always the capacity for growth, transformation, and the emergence of something truly extraordinary.
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